PD in a Box

An outside concert in a park with lots of attendees. Inset are other photos or different types of people attending, a middle aged couple, children, three men holding hands
photo credit: Anne Robertson 2018 CC-BY 2.0

I was at Womad last weekend in Taranaki ,and the range of different people, all ages, all walks of life, was phenomenal. They were all there because of a common passion – music. Conferences also bring together lots of different people. Their passion? Learning. Because they want to interact with like-minded people, they want to learn, they want to share their passion and their learning.  Just like music festivals all conference goers are the ‘converted’; most have chosen to be there and they have often given up a Saturday or a holiday to be there.

Professional Development (PD) in school is different – people don’t usually choose to be there. For many, it’s a ‘must do’ as part of their professional standards, it is another thing on top of a very busy workload. And just like National Standards and NCEA credits, doing something because you have to, leads to ‘ticking the box’, compliance, low level thinking and no improvement to pedagogy and learner outcomes.

So, how do we make the PD pill palatable? Even more, how do we make the PD pill into an exciting and mouth watering feast? OK, maybe I’m getting carried away….

I am fortunate to work as a facilitator for PD and feel privileged to be invited into schools  to ‘deliver’ their PD either for a one off session or on an ongoing basis over 6 months, 12 months or longer. With that privilege goes a huge responsibility.

Some schools want their ‘PD in a Box’. ‘What sort of package can you deliver?’ they ask. ‘We have an hour every Monday morning. That’s our slot. What do you have that fits in there?’ they say. And what do they do with the PD in a box? Unwrap it, enjoy it for an hour or so, then put it on the shelf and forget about it. Box ticked!

As facilitators, we need to support schools to align the differing PD initiatives – Positive Behaviour for Learning (PB4L), Digital Technologies, Change Leadership, Culturally Sustainable Pedagogy, Health and Wellbeing, and so on… so that teachers can see the connections, workload is not massively impacted and that they build sustainability and it leads to improved pedagogy and happy, successful teachers and learners..

I have asked myself more than once why schools have a “PD in a box” approach?
Is it because they don’t have a big picture vision?
Is it because they don’t have a plan?
Is it because of a lack of SLT engagement? – e.g. one DP given the PLD portfolio and the rest just checking out?
Is it because SLT have different portfolios and they don’t work as a team to align them? – each initiative is separate and piled on top rather than overlapping and enhancing?
Is it because of failing relationships, high staff turnover, unstable rolls?
Is it because they don’t get the WHY?

I think it is some of all of those things and maybe many more as well. But let’s take the last one. I think lots of schools do get the WHY, what they lack is the ability to fit the WHAT into the HOW given all the other constraints and competing imperatives they have. It’s very difficult to see the wood from the trees when you are lost in the forest.

Maybe we should help them to shift thinking from the PD Box to the “The PD Puzzle”.
They have the picture on the box lid – their vision, so now how do they go about fitting all the puzzle pieces of PD to make it?

wooden puzzle showing stages of development - jumbled, almost complete, complete
Photo Credit: Anne Robertson CC-BY 2.0

Nethui 2017

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I had the privilege of participating in Nethui 2017 in Auckland last week. I haven’t been to a ‘full’ Nethui before although I went to the regional roadshow in Rotorua last year. I believe that this is the best value for money, most enriching conference I have been to for a long time. I think it is because, although I love teaching, teachers and the education world, we can sometimes become wrapped up in it and forget that there is a real world out there too. According to the conference website;
“NetHui brings everybody and anybody that wants to talk about the Internet together. We’re not a conference and speakers won’t talk at you all day. NetHui is a community event – made for the community, by the community.

Participation and collaboration are at the heart of NetHui. The programme isn’t decided by InternetNZ – it’s designed by the community. NetHui is about issues that actually matter to your community.”

Given the political climate at the moment the theme of “Trust and Freedom on the Internet” was entirely apposite.

Here is a Wakelet of the tweets interspersed with a few of my own comments.

‘We’re all doomed, I tell ye’. ‘We’re all doomed!’

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Just found this post from a while back which I started writing after the announcement about CoLs and CoOLs.  I never finished it as plenty of others responded in a similar vein to me and in a much more eloquent way.  See this post ‘Keeping our cool about CoOLs’ from Claire Amos.  There was a lot of ‘wailing and gnashing of teeth’ and cries that ‘the sky is falling’ about online learning. Things have gone quiet since then and we have seen the introduction of the new Digital Technologies|Hangarau Matihiko Curriculum and, of course a new government. The reason that I have come back to this post is, partly because I found it in my drafts, and having found it, it resonated with me as I am currently reading “Different Schools for a Different World” by Dean Sharesku and Scott McLeod. Now I don’t think that, for many of us who are steeped in the NZ education system with our flexible and forward thinking curriculum, they say anything particularly groundbreaking. Much of their commentary is of US schools and school system. But despite seeing plenty of excellent contemporary, collaborative, student centred learning happening in schools, I also know that there is plenty of mediocre teaching and learning happening which is not meeting the needs of all our learners. 

In the book, the authors offer 6 arguments for why schools need to be different. As I read the book I am tweeting the thoughts and questions it is provoking in me. The first deals with information, where we get it from, how we get it, and what we do with it.

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We, and our students, can find all the information we need online; what our kids need is to ‘master the skills of information filtering and critical thinking’ so that they have the skills to thrive in their world. That is the role of the teacher.

The 2nd argument is that of economics. We’ve all heard it said – the jobs our kids will do haven’t even been invented yet, automation has taken our jobs, a job won’t be for life. Shareski and McLeod suggest that manufacturing jobs are being replaced by higher skill service jobs and creative jobs. They ask ‘what value do human workers add that software robots don’t’? Critical thinking, problem-solving, creativity, high level communication, collaboration…

Screen Shot 2017-10-27 at 16.51.28Then we come to learning. How we learn, how we teach, what our role as teacher is, whether we are meeting the needs of our learners.

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A blend of digital and kanohi ki te kanohi learning provides both content and the interactions necessary for developing the soft skills needed to manage the information.  We need to prepare our students to be fluent navigators of an online world, to have a positive digital presence, to understand the ethics and legalities of a digital landscape, to be able to share their knowledge and skills as both consumers and creators. We need to prepare students for learning agility – they need to know how to ‘flounder intelligently’. (Guy Claxton)

I think online learning offers us some really positive options especially for kids who are isolated or marginalised, but also for those who sit in a system that sort of works for them but sort of doesn’t.  I’m thinking of the majority of middle of the road kids who get by in spite of a school system that is out of date and not a good fit for them.  The kids who are ‘passively disengaged’.

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This is dealt with in Chapter 4: The Boredom Argument.   A question for every teacher….

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How much time is spent in your classroom when the student is ‘passive’?  What activities motivate your students to learn? My wero to you is to time some of your lessons, or someone else’s, and reflect.

George Couros asks in one of his blogs;

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‘Different’ schools could be online schools but there is a danger that all we do is extend a traditional model of learning into an online environment.  We need to think of ways to allow our kids to learn without just replacing an exercise book with a device.  Teachers need support to design blended learning opportunities that allow pathways for all learners.  Students need to collaborate – the classroom should be a space for ‘doing’, asking, sharing, exploring, then go home and use a computer to reflect on content, write up notes etc. So, there has to be a lot of thought as to how online education is blended with face to face interaction. And online doesn’t mean ‘robots’ delivering courses as some have said. It means carefully constructed pathways of learning created by teachers, with discussions facilitated by teachers and learners with multiple ways of accessing content and creating responses.

This brings us on to the Innovation Argument; Dyer, Gregersen and Christensen (2009) suggest that innovators possess 5 key skills;Screen Shot 2017-10-27 at 17.40.43

and that we need to create an environment in school which allows for those skills to be developed and flourish. My question is;

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We are constrained by top down drivers – results and standards, which can be used as an excuse not to provide opportunities for genuine inquiry and experimentation, to limit questioning, to stimy divergent thinking, and to prevent kids from forming and using networks to amplify their learning.  I can see so many possibilities to support and develop these 5 key skills by using a powerful blend of online and face to face learning.  At the moment, though, our assessment system isn’t playing ball and too much testing is still geared towards passive ingestion and thoughtless regurgitation.

The final argument is one of equity.  The obvious is a lack of access to digital technologies and thus online opportunities. But it is also a question of usage – even with access what do kids from different socio-economic backgrounds use digital technology for?  Studies done in the USA suggest that substitute tasks such as drilling and practice are overwhelmingly done by African American kids whilst more affluent students use technology for creative, higher order thinking activities.

I haven’t had time as yet, to explore my thinking about how online learning would solve the issue of equity – my initial thought is around attendance.  It is clear that lack of attendance at school has a profound effect on kids learning outcomes. Barriers to getting to school are many but if kids can access learning from home when they can’t get to school, surely that helps to reduce the inequity in some small way?  It is also a question that Shareski and McLeod don’t really answer either apart from suggesting that we ask questions of our communities to get a clear picture of who has access and who hasn’t, and to build partnerships with community and businesses to support access.

When we think about ‘different schools’ we are not talking about the physical or virtual space, we are talking about pedagogical philosophy.  As teachers we can all be part of the conversation, pushing for dialogue, questioning our own assumptions about how we teach and how our kids learn. We can demand (in reasonable terms) that those in power think very carefully about how to implement what could be a very positive model for learning. We also have a responsibility to read widely all of the information and assess critically, not jump to conclusions and onto the ‘sky is falling’ bandwagon. Online learning in some shape or form is going to happen so we might as well work together to ensure that we implement the best model possible which works for all our learners.

Copyright for Innovation

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Large copyright graffiti sign on cream colored wall by Horia Varlan  CC-BY

A few weeks ago I attended a panel discussion about copyright and how fair use of media, copyrighted material promotes or inhibits creativity. It was hosted by the University of Auckland Law Department.

A panel of international experts on copyright and innovation led the discussion about copyright, fair use of intellectual property, open access and how it all works in the media, education and business.

At the bottom of this post is the Storify of the evening (edited – now converted to a Wakelet since Storify ceased to exist).

But how does copyright etc apply to schools, teachers and students?

Mention copyright in staff rooms and people’s eyes usually glaze over.  The only real exposure most teachers have to it is in ignoring the poster over the photocopier warning them about what percentage of a book they can legally copy!  Some schools have a vigilant admin person who manages all the photocopying and enforces the rule strictly, in other schools the law may as well not exist.

Drama and music departments have a better understanding of copyright laws as it directly impacts the work they do.  Some media is available for use in an educational context but the limitation lies in that the content cannot be published or presented to the public. It may be possible to perform plays, use musical scores, sing songs within a school context to an audience composed of people within school, but as soon as you invite an outside audience in you may find yourself breaching the terms of the copyright unless you have sought permission to use it. (https://www.tki.org.nz/Copyright-in-Schools/Guidelines-for-schools/For-teachers-and-contractors/Guide-to-performances)

So far so clear.  But what about films? I know that films are used extensively to support learning in many subjects. They are also used as ‘end of term fillers’. The philosophical and pedagogical rights and wrongs of this I will not go into here. However, it is clear from the guidelines on the TKI page Guide to copying and showing films that the showing of films should be for educational purposes only.

“You may not show a hired or purchased video/DVD in your school simply for entertainment purposes. For example, you can show the film Shakespeare in Love when it relates to your drama course, but you may not show it to your drama class merely to entertain them at the end of term.”

And you cannot copy the film multiple times to enable every student to have their own copy, nor can you make it available on the school learning management system. Read more at Electronic copying and works on the internet.

OK, so all this is well and good, and the law is quite clear if we bother to find out about it and pay any attention to it.  But there are areas around use of media and ownership that are less clear (or more open to interpretation).

Who owns what you produce as a teacher for your students?  At any time of the day or night, term time or holidays?

The answer is simple: your employer. The Board of Trustees. Not you.

What does that mean?  It means that legally speaking anything that you create in the course of your employment has to stay in the place of your employment when you leave and you cannot take a copy of it with you. WHAT?!  My work, my time, my blood, sweat and tears, my creativity, my imagination!

How does not being able to share my work fit with Kāhui Ako (Communities of Learning)? How does it encourage collaboration across schools and between teachers? How does it encourage me to be creative, spend my time working on great resources if I can’t keep them? How will anyone know if I take a copy anyway? Who is going to stop me?

Well the answers are, it doesn’t and nobody. Unless you start to sell them and make megabucks, or if you take them and don’t leave a copy behind for your colleagues to use and they are left in the lurch.

So, how can I legally own what I feel I morally own because I created it?

A CREATIVE COMMONS policy provides teachers and schools with a way forward.  Put simply, if a school adopts a Creative Commons Policy, then the BOT maintains ownership of resources but agrees that those resources can be shared as long as they are shared under the same license.

So what about images and media that you and your students use in your work? How do I know who has created media on the internet? Who owns the photos in “Google Images”? How do I know what I can use and what I can’t? How do I attribute ownership?   Creative Commons provides answers there too. There are heaps of ‘free to use’ media if you know where to look.  In Google images, go to Tools and then Usage rights to get a return of open source images.  Photos4Class is a great one to send kids to as it inserts appropriate referencing too.  Unsplash has heaps of amazing images that are free to use and they also provide the attribution code for you to use. And

The Creative Commons website has a heap of links to open source resources as well as useful information on how to appropriately attribute and reference media you have used.  Saying “Retrieved from Google Images” just doesn’t cut it!  Or take your own photos and use them and apply a Creative Commons License. Encourage your kids to be creators rather than consumers. Because, as Amy Burvall quotes from Jean-Luc Godard in her book “Intention: critical creativity in the classroom

“It’s not where you take things from – it’s where you take them to.” 

And we really do want to encourage our students to use other people’s creative works, to be inspired by them, to build on them. As Mark Twain said,

“All ideas are secondhand, consciously and unconsciously drawn from a million outside sources.” 

And all creative work is derivative – as Amy quotes from Isaac Newton in her book (p.51)

“We all stand on the shoulder of giants.”

But we also have to ‘teach our students the value of providing attribution when appropriating even the smallest elements.’ p52, Intention: Critical creativity in the classroom

Nobody is very likely to prosecute you if you use an image or a piece of music that is not yours to use unless you are particularly unlucky. Although, there are plenty of examples when that has happened, especially where music is concerned. And I have heard plenty of teachers and students say, “But how will anyone know if I have used a photo, a video, a piece of music?” and “Why should I care?” and “Will anyone really stop me?”

It comes down to trust, to values, ethics and morals. The values of citizenship that we instil into our kids, that are enshrined in our school charters, that we live and work by everyday.  Taking what is not legally yours without asking permission is theft. Pure and simple.  Using media that is created by someone else without attributing it to them is just bad manners and shows lack of gratitude. And as educators we have a responsibility to model good practice.

 

 

What will it mean to be educated in 2050?

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Today I was lucky enough to be at the first of 2016’s Core Breakfasts in Hamilton. Derek Wenmouth challenged the thinking of a group of Hamiltonian educators and inspired them to question their practice.

By way of recording the conversations I created this Storify. (Edit – Storify no longer exists but fortunately I exported my stories and have imported them into Wakelet)

My Passion Project

I am a bit of a photograph nut and always have my eye out for an interesting subject, odd angle, quirky perspective and tricky bit of light.  I have always had cameras – my Dad got me started when he bought me my first camera – an Olympus Trip – for my 18th Birthday.  Before that I was allowed to borrow his camera occasionally and I remember having a  little Instamatic camera to take away with me when I was lucky enough to visit Berlin when I was 12 years old.  I still have all the photos in albums. Some are rather faded now but they still prompt memories.  

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Berlin 1975
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From top left anticlockwise: Paris Zoo 1975; Family on holiday 1975; Noel and Grandmere, Siran, 1975; Christine, Andre and me, Siran, 1975

I have most of the negatives too, all collated in envelopes and numbered according to month, year and which photo album the prints are displayed in. I started with the albums that have sticky pages and the cellophane leaves that hold the photos in place as well as protecting them but soon found that I couldn’t fit enough in them and they were bulky to store.  So I turned to scrapbooks.  The size of the pages also allowed me to create collages with the photos.  I rarely got the perfect shot but every picture told part of the story so I would cut around the bits in focus or smiling faces and put them together to form a pictorial story of an event.  Real cropping, cutting and pasting!  Later on I got a bit arty and started to take panoramic pictures.  Of course, the light and the varying height as I turned around as well as the curvature of the land meant that the individual photos never quite matched so I ended up with semicircles of pictures that were too long to fit in the album.  I would carefully sellotape them together so that they would concertina together when I closed the book.

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Caucasus Mountains, Georgia, USSR 1990
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The Kremlin, Moscow, USSR 1990
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Torridon, Scotland
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Family Holiday in the Jura, France

In those days I also had to be careful about how many photos I took – after all a film reel only held 36 photos. Remember the anticipation when you sent the reel away to be processed and waited for the envelope to arrive back in the post? How many times was I disappointed when what I imagined were going to be amazing photos turned out to be not up to expectations?  

By this time I had a fancier camera; as my Dad replaced his cameras I would be the grateful recipient of his old ones.  I now had an SLR and I also moved on to slides rather than prints.  Slides are difficult to display in an album but don’t you just love slide shows?  I think the magic for me stems from when we were kids and Dad used to show us slides of our holidays. We used to love it when there was a photo of us; very narcissistic, but I used to wait in anticipation of the photos of me and be very excited when there was one!  A few years ago when I inherited my Dad’s books of slides I excitedly set to and scanned them all and shared them with my sisters – delight and embarrassment in possibly equal measure!

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The Hodgson Family on an East Coast Beach: Kate, Anne, Mum (Shelagh) Steph, Paul (cousin), Jo
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Me, collecting flowers behind our house (33 Coal Hill Lane, Farsley)

I think by this time I was seeing myself as a bit of a photographer – I had a couple of lenses and spent time taking photos of plants and landscapes. I also had time pre-children to stop and compose a picture, fiddling with f-stops and apertures and focus.  My Dad still criticised the technical shortcomings of my photos (his were always technically excellent) but I reckon mine had more interesting perspectives and had more “soul”.  

So there is a period in my life missing from the photo albums when I search through them as it is represented on slides tucked away in boxes.  Slide boxes were a bit like how we stored digital photos originally – hidden until we had the means to look at them.  We had to get out the slide projector and screen and load the slides into cartridges, close the curtains, switch out the lights and enjoy the magic.  For photos stored on our computer we needed to connect to a projector or all peer around a small screen. Not as easy as just whipping out the albums.  Although, of course, all the photos were in one place and certainly much easier to carry one computer around than a box of albums!  But now with mobile devices and easy to share to sites like Flickr, Google Drive, Dropbox, Facebook our photos are so much more available an visible.  We can share across continents to family and friends and get instant feedback, we can also edit and create so much more easily.  And did I say I was also an Instagram nut!  I have my phone in my hand all the time, just looking for a photo.  My Instagram account is linked to FB and Twitter and the notifications “Anne-Louise has just uploaded a photo” that my husband receives several times during a day have become a standing joke in the family.Screen Shot 2016-01-24 at 15.46.34.png

Once children arrived the focus of my photos was people – well my children to be more precise!  And we have a comprehensive photo history for us and them to pore over.  My eldest son was 21 last year so I spent a few evenings taking photos of old photos and making them into a digital slide show and video with WeVideo which I then uploaded to You Tube.  

https://youtu.be/WiqaGBS_qWI

There is something about those old albums, though. The tactile nature of them is so much more in the present than the collection of digital photos. Maybe it’s the time and effort it took to put the book together, the story they tell, the fact that there are only a few photos rather than the hundred I can take with my phone or a digital camera.  Who knows?  But my plan for this year is to organise my digital collection more efficiently and put them into albums or slideshows that tell a story.  I will also create some picture books like the one I create to mark our very first year in new Zealand so that we have books to pick up and thumb through.