Digital Story Telling: 5 x 5 videos

Whilst preparing for a workshop about digital storytelling, I came across this idea of video stories which I thought would be quick and easy to do. I was attracted the idea of short glimpses of life that together create a story.

The premise is simple; take short 5 second clips of your everyday life. Link them together without any editing and publish, no commentary.

Ha! Easier said than done!  First of all I kept forgetting to record, and then when I did, the videos were too long. Never mind, I thought, I can trim them in the process of putting them together.

Next question was which video creation tool to use. I started with WeVideo as I have used that quite a lot already and know that it is reasonably easy. All seemed to be going well. I did add a title slide and a end credit slide, but other than cropping the too long videos to 5 -6 seconds, that was it. Until I processed the videos and got the final result.

The videos I had taken in portrait mode on my phone were tiny little rectangles on the screen. Unfortunately, that was most of them! In editing mode, the videos played fine and filled the screen albeit with the black background showing on each side. I edited, trying to fiddle with the size but whatever I did made no positive difference. I googled it, tried ‘help’, but the only information was that it was best to use landscape if possible.

I managed to make this one out of just the landscape videos:

I still wanted to use my portrait videos so decided to see how iMovie coped.  I haven’t used iMovie before despite having a MacBook for 3 years! (I know, I know! but you get used to something…) So, it was little unfamiliar to me and took me a while to get my head around the interface. But 15 minutes later I had a video that was made up entirely of portrait videos and it worked!

Next frustration was uploading to YouTube.  Several failed attempts before checking with Google – Is YouTube down?  Err! Yes! 77 error reports in the last 5 minutes!

Anyway here is the iMovie. The story behind this one is that as part of Kingitanga Day celebrations at the University of Waikato, there was a Hikoi Rongoa to look at the native plants and how they are used for wellbeing, nourishment of the body and soul.

These videos are simple, no (or little) editing, no narrative, so I wonder how they might be used to stimulate further storytelling in the classroom.  A prompt for children to interpret, to invent, to imagine the dialogue, the connections, the missing links?

As a stimulus to create their own videos and then to add a narrative, an interpretation.

I have still shots of the Hikoi Rongoa and a brochure with information about the plants that we examined. I want to explore the stories behind some of those plants and how they were used. How people worked out how they could use them and which ones were edible, which were not, which needed to be processed, which healed and which soothed. I plan to tell the story of our hikoi rongoa …..soon!

Story Telling, Our Place in the World, and Digital Technology.

a dirigeable with a boat hanging beneath it seems to float in a garden.                           Storystarter by Anne Robertson via Flickr CC-BY

“The limits of my language mean the limits of my world.” (Wittgenstein) 

We have always told stories. People from all cultures, all around the world, tell and listen to stories. They are passed down from one generation to another through legends, sometimes spoken, sometimes sung, sometimes acted out through plays or dance. We have a natural compulsion to tell stories; our own, our family’s, our friends’.  I remember the stories told over the years around campfires at camps, at sleepovers, in the pub, at dinner parties. We share our experiences and we are avidly curious about those of others. We have learned from the stories we listened to. They spark our imagination, they bridge cultures, help us to understand concepts we may not have direct access to, they support us in making sense of the past to inform our actions in the future. They help us work out who we are, form our opinions, make connections and build relationships.

For a while stories were always transmitted orally, but then came the printing press, and the written word started to be more accessible to more people. We learnt to read and write, and stories started to be written down. We could access stories even when there was nobody there physically to tell us. Our world grew. We weren’t limited to the stories that our immediate family and friends or travellers could tell us. We weren’t limited to single stories but had access to stories about things from multiple perspectives.

I remember Saturday mornings as a child. My sisters and I would all creep into Mum and Dad’s bedroom and snuggle into bed with them for Dad’s stories. They were stories of fairies and goblins, of wooden horses, of ‘goodies’ and ‘baddies’, good overcoming evil, of derring-do. I later read Greek and Roman myths and realised where Dad got his stories from and for a while the magic was spoilt. But then I realised he was just doing what so many more had done before. He told the stories, embellished and adapted for three wee girls who just wanted to hear about magical things.

story dice red on a black background. Each dice has a different image on

Dice Story by Anne Robertson via Flickr CC-BY

“Those who tell the stories rule the world.” Hopi American Indian proverb

The books and stories we have access to influence the way that we think, the perceptions we have of the world, how we can limit our own understanding and what we, in turn, include in our own stories. Listen to Chimamanda Ngoze Adichie talk about The Danger of a Single Story.  As well as having multiple stories, she also talks of the importance of having stories in which we recognise ourselves and our culture, of us being able to be characters in our own stories.

Being able to tell our own stories gives us the power and to raise our aspirations and open our minds to possibilities. But, “stories are defined by the principle of nkali (an Igbo noun that loosely translates as ‘to be greater than another’) How they are told, who tells them, when they’re told, how many stories are told, are really dependent on power.”

So what?

There is a great emphasis put on literacy in schools. It is the measurement by which all children and teachers and schools are judged. Over the last hundred years or so, we have been taught that if we can’t read and write, we can’t get on in the world.  Those who are illiterate, have no future. No power.

But let’s consider how we learn again. We learn our language from the day we are born by listening to those around us. We develop vocabulary, we learn how to pronounce words by listening and speaking. Through repetition, through getting it wrong, being corrected and trying again. We learn language through a context that is meaningful to us. I always remember my son, aged 6, coming home and telling me that that he had to collect the toucans from the crisp packets to get sports gear for school. He searched the crisp packets in the supermarket for toucans and was disappointed when there were none. Of course, the teacher meant tokens, but his wee brain knew what a toucan was because it appeared in one of his story books and so in making the connection between the sound he heard and a thing he knew about, he came up with toucans. I won’t even start with his story about cheeses curing diseases in the cinema….

The point is that we make sense of what we hear by relating it to a context that is familiar to us. If we don’t have exposure to a wide range of contexts, we are limited to narrow interpretations that don’t make sense to us. So, we need to ensure that all our children have access to lots of stories.  I think what has happened over the last hundred years or so, and this is just a hunch, no research here (please let me know if there is some), the oral storytelling tradition has diminished. We have focussed on reading and writing, not listening or speaking, and that has deprived a significant number of people from the opportunity to hear stories and tell their stories in a meaningful way. Storybooks in schools tell ‘single stories’ that kids can’t relate to. Those kids that aren’t ready to read alone or write, at the age specified by the powers that be, are targeted and more time is spent focussing on reading and writing than developing oral language. They don’t necessarily have access to spoken stories at home either. This is a situation that may be (I hesitate to generalise) compounded if they come from lower socio-economic backgrounds where family members either don’t have the time to read to their children, or in families that are isolated from a community that support them, or they themselves don’t have the ability.

If we don’t have a wide vocabulary, we won’t be able to make sense of new words or express ourselves effectively. As a teenager learning French, my teacher once told me that what was holding me back from progressing in French, wasn’t my ability in language learning, but by my lack of a broad vocabulary in English. Now, I had a pretty good vocabulary, I read avidly, but the problem wasn’t my general vocabulary, it was my specialist vocabulary. I didn’t read or listen to the news or documentaries. I read novels and watched Coronation Street and Z-Cars and Dixon of Dock Green (sorry, showing my age now!) I needed to widen my range of input to improve my output.

However, in the rush to give kids access to wide range of contexts, are we in danger of not recognising that to start off with they have to develop language in a context that is culturally and socially familiar? And do we also need to give them a voice so they can tell their own stories? And do they need to tell those stories in their own way?

I hark back to the last hundred years in schools. What opportunities did you have to tell stories? What medium did you have to tell those stories? When I was at school and for most of the years I was teaching, despite there being other ways to tell stories, writing has been king. That wasn’t too much of a problem for me. I was a good writer – well physically at least. My handwriting was neat and tidy, I liked writing in exercise books and I was quite fast too.  I wasn’t particularly creative, I don’t think, but I never had too much trouble churning out what was required to get by. Fast forward to my sons. Both full of ideas, they had broad vocabularies and their stories were creative. But they both struggled with writing. As soon as those stories had to be put on paper, they were condensed into as few words as possible and they didn’t achieve success as measured by the system.

I wonder if they had had the opportunity to tell their stories in other ways, if that would have helped?

a double exposure image of an airport lounge. Advetisinghoardings and people sitting at tables luggage at their feet.

Tell me Your Story by Anne Robertson via Flickr CC-BY

 “…new technologies give creative people new ideas. Art is affected by the technology of art, because artists love to experiment, and every new development is a new tool.”

Naomi Alderman, 2017

I am a firm believer that the technology we have available to us today provides opportunities for all our children to have a voice, to tell their stories. Learners can record their own voice, create a video or an animation, they can write by hand, they can type. They can speak to the computer and it will type for them, they can tell their story through song or dance. They can use a variety of media to enrich their stories.  If we let them.

But equally, we can use digital technologies to provide access to the stories in the first place. When we provide a stimulus for kids to tell their stories we can offer videos, podcasts, picture books, cartoon strips, songs, sound files of different contexts, artwork – the options are varied and limited only by our imagination.

There are blogposts that list the ‘top ten digital storytelling tools’ and there are any number of them out there. This one, this one, this one, this one, and this one (which is probably the most up to date one) to post just the top links on a google search.

There are a few that I have tried and found that students enjoyed using them too, not just because they were fun but because they gave them more options for expression.

  • Storybird – choose a theme, or an artist and be inspired by the artwork or read a story and respond, or co-create a story with a friend or even a complete stranger!  Example here
  • Book Creator – tell your story using text, sound, images and video Example here
  • Thinglink – interactive images, plot your own story linking sound, video, images and text. Example here
  • Puppetpals – chrome and iPad app, animate stories, choose your characters, upload sound or use the inbuilt voices
  • WeVideo – create videos from video clips, images and annotate with text and sound
  • Animoto – create animations, upload your own sound, add text
  • Piktochart – visual infographic type format. Upload images, text, sound and video to tell your story.
  • Google Cardboard – VR and AR – explore different worlds, connect stories, unleash the imagination
  • My Maps – create maps that tell a story, link images, history, video, sound files and text. Examples of how My Maps can be used can be found here. 
  • Adobe Spark Video – easy to create videos
  • Scratch – code a story – see a very simple one here

Each of these needs researching before you try them out with a class and they all meet different needs. Allow time for exploration, but the starting point is always going to be your learning intention. How can they express their ideas in a way that works for them and also achieves the learning outcomes you have set or co-constructed with them?

And…. telling stories through a multimedia approach provides opportunities for learners to solve problems, be creative, innovative, and develop soft and hard skills that are sought after in the workplace.  This post suggests that there is a huge shift in the way that traditional text based businesses like advertising are now developing stories.

Te Marama Pūoru Waiata Māori – learning for all

On my way back from EducampBOP yesterday afternoon I listened to the Mixtape on RNZ.  I hadn’t realised that following on from Te Wiki o te Reo Māori there was a Māori Music Month.  I can be forgiven for not knowing about it as this is its inaugural year and there hasn’t been a lot of mainstream media coverage about it.  The guest on the Mixtape was Rob Ruha  who “is from the East Coast, and is recognised as a leader of traditional Māori music. He has a unique style of which has been described as an eclectic mix of soul-roots-reggae with a touch of RnB, rock-blues and jazz” (see Stuff.co.nz article).

This afternoon I listened to the Mixtape of Moana Maniapoto and one of the things she said struck me – she introduced herself as a musician, a songwriter, always learning and she went on to say that her life has been about storytelling whether through music, documentary making or writing in general.

I have talked before about the power of storytelling for learning. Recently I was involved in a Facebook conversation about the relative merits of teaching handwriting in primary school. As usual, there were many opinions and I have written about this before too, so I am not going to revisit it. But one of the comments that was made was that learning how to read and write brought Europe out of the Dark Ages and another said that people will not be able to contribute to society fully if they don’t know how to read and write. It was also said that not knowing how to read and write would seriously hinder a person’s ability to learn.

So this is the nub of this post.  Why do these people think this is the case?  And how does the emphasis reading and writing meet the needs of all our learners?  It is true that up until relatively recently, while reading and writing have been the main ways that we have accessed ‘knowledge’ in educational systems in western societies, there have been people who have struggled to learn and progress.

My contribution to the conversation was that for generations we learned through storytelling and song which developed active listening skills, the ability to communicate orally, articulate ideas and responses to stories and retell them.  They were adapted and embellished on the way, maybe to fit the context of the situation or maybe because some details had been misinterpreted or misunderstood and people filled the gaps to make the story work.  People learned how to craft language and think on the spot and they were creative, they used verse, songs, jokes and prose.  The places we listened, often alongside a  ‘master’ as he/she went about their trade, or around a fire or in the kitchen or in the fields meant that we spent time with our community elders and built connections and relationships, learned respect and shared ideas.  And listening to stories helps our learning because it activates not just the processing language parts of our brains but the sensory and motor aspects too.  And telling stories is just as powerful for learning as we have to articulate what we mean, we have to process our thoughts and organise them.  I know we do that when we write too – I have edited and re-organised the paragraphs and my ideas in this blog post as I have written, but when we speak we have to do that on the go, dynamically as people listen to us and they can question and interrupt and ask for clarification.

Now I am not saying that reading and writing hasn’t enriched learning, it is an essential tool in the education box and we should make the most of what it offers us.  However, the emphasis over the last century or two has been on the written word and the process of writing as a means of learning.  And I think that it has been a barrier to learning in terms of how we measure learning for many people. Their learning in school, the ability to pass exams has been almost entirely predicated on reading and writing. So if we have a child in a class that finds it difficult to read or write,  we make them do more of it so they can catch up. If they don’t reach a certain level of literacy they will not be able to access ‘learning’ across other subjects, even maths because they are all based on reading information and then writing about it.  My boys are creative kids with heaps of ideas, they both struggled with the physical aspect of forming letters and making their writing legible. They were slow at writing so they stopped thinking up big ideas, or at least writing them down because it took too long.  So they never really explored their ideas, articulated them, ordered them and crafted them fully to the satisfaction of their teachers in an essay format.  Fortunately, my boys are ‘good’ readers so they developed a wide vocabulary,  they identified how to form sentences and worked out how language works through the range of genres that they read.  If they had greater access to typing and being able to use a computer for their writing the barrier for them may have been removed. If they had been able to record their voice and speak their ideas out loud rather than writing them, how might that have affected their learning?

20150930_223616Remember that the very first way of communicating was through gesture and voice, through songs and images. The rhymic nature of poetry and songs stimulates the brain but also the body so that we move and sway in time, the words somehow stick in your brain, just think how much easier it is to learn a poem with rhyme and rhythm than one without and how the words of catchy tunes rattle around your head without you even wanting them to!   So my boys also loved listening to stories; we read often to them and they had tapes and CDs which they listened to in the car or at bedtime.  The power of listening and how it impacts on the ability to memorise (I won’t say learn because they are very different)  was reinforced once when I came upon my eldest at the age of 3 ‘reading’ Winnie the Pooh. He had memorised the words from the tapes he listened to regularly and from us reading to him and was ‘reading’ to himself, turning the pages as he went!

As a language teacher, I have frequently bemoaned the paucity of listening skills amongst the young people coming through to me in my classroom as well as the unwillingness of students to articulate their ideas orally unless they have had time to craft ideas in written form first.  As we have assigned more emphasis to reading and writing, to decoding words on a page we have neglected to understand the power that the spoken words has on children’s ability to learn.  When children come into a school they have spent 4-5 years listening and developing oral language. They have amazing memories, they can retell stories, they are good active listeners and mimickers. They have learned as they have watched their parents, elder siblings, caregivers, and asked countless Socratic questions about the world, life, and the meaning thereof.  So,what do we do? We put a pencil in their hands, we sit them down, we tell them to be quiet and we teach them to read and write.  I am being harsh.  I know that primary schools do so much more than that and I am well aware of the constraints that schools are under to ‘deliver’ the curriculum and ‘meet the standards’ and I am not going to go into any of that now.  But I think you get my meaning. They get out of the habit of ‘listening’ and speaking and they become over-reliant on reading and writing.

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© Copyright Ewen Rennie and licensed for reuse under this Creative Commons Licence.

 

From symbols painted on cave walls, on skins, carved into wooden posts and stone pillars to the artistic calligraphy on vellum of the monks, to the printing press and then to typing and word processing, language and, more importantly, communication have informed the way humans have lived, adapted, survived and flourished in an unpredictable world.  But language developed orally, it was honed and refined by people talking to each other. As we have travelled more widely, explored new places, tasted new foods, seen spectacular and interesting new sights and immersed ourselves in different cultures, our vocabulary has grown to reflect those new experiences.  Language absorbs and assimilates new words to represent new inventions forming them from old words, trying to capture the spirit of the object and how we interact with it and the affordance it has with our lives.

When we listen we hear nuances; tone of voice, feeling, volume, accent, we can sense mood and emotion, we can also see the facial changes and the gestures that people use when they speak and we make connections.  When we talk we have to think on our feet, search for words sometimes or explain our way around a word that we can’t quite remember or that we don’t know.  We adapt our own tone for the context, for our audience, and we make eye contact and build connections.  We also have to listen actively so we can recall what has been said, interpret it and respond.  ‘A picture paints a thousand words’ and listening conjures up a million images and feelings and emotions.  So why would we limit ourselves to writing and reading?  Why would we limit our learners to a narrow range of ways of learning?

What is exciting today is that our means of communicating are becoming richer at an exponential rate.  The technological advances that brought us Gutenberg’s printing press in the 1400s and disrupted the world of learning and acquisition of knowledge have continued apace, and now we have a range of different media that we can use to communicate and be creative.

It is important that we start to ascribe a more equal importance to all means of communicating so that all our children can learn in whatever way works for them. We have a responsibility to provide them with all the tools at our disposal, let them make their own choices and not hinder their learning because we are fearful of change.  Just because we’ve always done it that way doesn’t mean that it is the best way. Equally, it is important not to adopt new ways of doing just because they are new.  We should question and reflect, consider what they add to the mix, use them with caution but embrace the opportunities they offer for learning.  It is not the tool alone that helps us learn, it is choosing the right tool at the right time for the right purpose.  But the toolbox needs to be full and it needs to be open and accessible.

Postscript

So, to go back to the start and Te Marama Pūoru Waiata Māori – just as with many cultures the habit of storytelling through song, waiata, chants, stories and poetry has been an important way of passing knowledge and cultural ways of being and doing down through the generations.  Language is a key component of the sense of identity because language can never be truly translated word for word into another language.  Māori, like many languages existed for generations only in its oral form, passed on and enriched through song and stories. My strong belief is that it is important that we do not lose our oral languages, or we lose sight of who we are and where we came from.  So embrace storytelling in all its forms –  written, visual and oral and why not listen to a few waiata and find out more about Te Marama Pūoru Waiata Māori.

This waiata called Rariri from Rob Ruha is very powerful and retells historical accounts of the East Coast forces that supported the Kingitanga, the Pai-mārire faith and the people of Tauranga-Moana in the battle of Pukehinahina (Gate Pā) and Te Ranga from the perspective of the families, hapū and iwi that stood against the crown and its Māori allied forces.

 

 

Creative Writing – very creatively…

painting of the Trojan HorseSo, another step into the unknown; the murky journey of the short story full of fantastical, wandering story lines, abrupt plot twists, over elaborate descriptions and unbelievable leaps from one scene to the next.  I love storytelling, it is the most powerful form of learning there is.  Language has developed from the oral story telling of past generations, cultures have evolved and taken on their identities as a result of the tales passed on from elders to their mokopuna and on again. We are who we are because of the stories of the world.  Who doesn’t remember sitting on a parents’ lap lost in the imaginings of the stories they were read?  I recall crawling into my parents’ bed with my three sisters on weekend mornings to cuddle up with my Dad as he told us the story of the fairies who hid in a huge wooden horse to conquer the goblins who were overpowering their kingdom.  We begged for it over and over again and asked for more and more embellishments.  It was only much later that I realised that the fairies’ wooden horse was actually the Trojan Horse!

Anyway, I digress.  Cultures are built on myths and legends which help us make sense of the world around us and how it came to be.  We thrive on real life stories – just look at the number of reality TV shows, soap operas that tell the stories of “real life”, and who hasn’t stopped to say “Oooh! Have you heard about ….?  We are fascinated by people, by stories, by questions, by answers, by imagination, curiosity and invention.

So, my Year 9 English class and I have embarked on story telling.  In the last week of term we explored 5 Card Flickr with interesting results as already outlined in a recent blog.  I was lucky enough to spend some time with Alan Levine when he visited New Zealand at the end of September and talked to him some more about digital story telling.  I only wish I had more time to explore the possibilities, but we have made a start.  This week we used an idea I heard about as I was surfing the internet.  Unfortunately, I didn’t make a note of the webpage so apologies to the initiator of this idea.  We have called it #storymakers and the idea is that one of the class (this time it was me, just to get them started) puts a starter sentence into a Todaysmeet.com room and then everyone else continues the story until it ends.  It’s a bit like the party game when you have to go round the table and keep the sentence going.  We started with “One day I discovered a magic button….”

a red sparkly buttonWe had great fun and it was interesting to observe how they “developed” the story – some got a little bit carried away and relied on “waking up from a dream” when someone “killed’ the character off.  It was challenging for them to have to think of the next line quickly and it was a quite a public forum although less public than having to say the next line out loud in an oral context.  I wonder how we could encourage the flow of the story without having to do it so much under pressure?  I wonder if that would lead to more thoughtful ideas?  I am sure too that some of the students were embarrassed and were put outside their comfort zones because either they didn’t know what to say or they felt that what they wanted to say wasn’t good enough.  Resorting to “crazy” ideas provides a “cover” of sorts.  Maybe we could build the story over a lesson whilst doing other activities?  The students could just keep an eye on the “Tweet” stream and see when it is their turn, or jump in when they feel ready…?  Ideas to ponder…  It was great though to see them all engaged and prepared to have a go,

After the story was “finished” we read it out and talked about not being able to rely on “it was all a dream” to get out of strange situations and also developing the characters as the story develops. It is clear to see what has been in the news recently … and interesting also to realise that we can only write about what we have experience of and that we can only bring our own perspectives of our understandings of those experiences to our writing too.  I know that another group of people with different experiences would bring their own perspectives to this starter and the story would not be the same.
Here is the transcript of the story; (unedited)
One day I discovered a magic button ….
it was a blue sparkly one and it was hiding in my room
The button was circular and had a diameter of 7cm
It looke like it hadnt been seen in 100 years
It open a magical portal
but i didn’t go through
I just stood there looking at it, but then I heard cheerful music so I decided to take a look inside
but i slipped and ended up falling in a meadow
The meadow was filled with bogtrotters and nymphs
In the distance I saw a group huddled together and curiosity had the best of me
I started running over to the group and I suddenly tripped over and face planted in bogtrotters poo.
I thought really gross because it was all over my face, some went into my mouth and it tasted like shampoo
And then in the far distance there was a big BANG!!!!!!!
I then realised that I had Ebola and I died.. But then I woke up!
after dying i was really tired, and hungry so i went for a sleep and started chewing my own hand in my sleep.
I woke up and I was a new person named Bella ………. who was a princess.
I ended up being a prince….
Then out all of a sudden pineapples rained down from the sky and a lion roared in the distance…
I looked over to where the roar had came from and saw a pride a lions
They came running towards us ready to kill their prey
All of a sudden there was a baboon on the rock holding a baby cub with two other lions.it was the lion king
but I blinded them with my lightsaver and ran away
Ahhhh Sabena mamma he manana
all of a sudden everyone that i had been in contact with died and so did the animals because i had ebola.
and then in the distance I saw a man. i married him
We had a pineapple themed wedding, but then he died the next day from my ebola
the reason why i wasn’t dying because i was an immortal ebola zombie victim i had depression because i was the last living man on earth
I awoke next to the magic button, laying in a hospital bed really dying of Ebola.
I survived, because i got the magic curer from the bogtrotters
Lol, jk I’m still standing here looking at the portal. It’s kinda hurting my eyes fml.
I suddenly woke up to a holt. It turns out I was sleeping in rehab because I am Hillary duff.
THE END
Looking forwards to more storytelling…

From the sublime …. to the fanciful and beyond!


This week we started “creative writing”. Can you “start “creative writing””?  Surely it has to be spontaneous, from the heart,  rising from within ….? Anyway, it is the next “Unit” in our English programme, so we will do what we can…!  I have a feeling that my girls are going to be good at this!  Judging by the language in their formal essays they are itching to get those creative juices flowing and use adjectives and your imagination to the fullest.  I think though, that they may have some work to do with regard to some sort of plausibility!  Never mind,  it is the end of term and if we can’t go a little wild now,  when can we?

A few weeks ago when we started speech writing I introduced my class to Pecha Flickr, a tool created by a guy named Alan Levine (@cogdog). They enjoyed the randomness of the images generated when we put in a theme and they rose to the challenge to speak ad lib for 20 seconds.  There were some very random comments and the first time through they were definitely tongue tied and looked like rabbits caught in the glare of the headlights.  However, we looked at some sentence starters, encouraged them to ask each other questions as prompts and they were itching to do more.  This week we tried 5card Flickr,  another of Alan’s tools. 5 Card Flickr is not so “in your face” as Pecha flickr, it does not put you on the spot in the same way as you have time to think and create.   I wanted to get my students thinking about telling stories in a different way.  I wanted to use the random images to encourage them to think more deeply about how they could transition plausibly from one scene to another, sequence ideas, make connections and develop ideas and language.

It is always interesting, as a teacher, planning lessons:  I have an idea of what I want the outcome to be,  I decide on an activity, I devise it and then I have to be prepared for my students to surprise me and turn it completely on its head!  It is not always easy and I know that they threw me this week when they didn’t quite do what I expected.  But I have learned to go with the flow, build on the moment and take the learning opportunities as they arise.  We ran out of time and energy this week (it is the least week of term, after all) but we will come back to 5card Flickr next term.  Meanwhile,  here is 9AR’s amazing and very wacky story! (unedited!) Why not let me know what you think of the Flickr tools?  Have you used them? How else do you think they could be used to help build skills in English?

I will be running a workshop at Ulearn14 in October, so if you are going to be there.  come along and share your ideas.

Five Card Story: The Revenge of the Alpacas

a Five Card Flickr story created by 9AR


flickr photo by bionicteaching


flickr photo by Serenae


flickr photo by Serenae


flickr photo by bionicteaching


flickr photo by bionicteaching

One day, there were a bunch of six year old sailors. They kidnapped a young boy called Jimmy. Jimmy was italian with blonde hair and abs. He had a tan and got all the girls. Jimmy was in love with a young girl called Tiana, one of the six year old’s older sister, this made them mad. They saw a poisonous leaf on the edge of their boat. Jimmy touched the poisonous leaf and immediately dropped dead! His crewmates had no idea what to, do so they did what they always did when someone died out at sea. They dumped him in the harsh, stormy sea and the waves encased him in a watery coffin. His lungs filled with salty poison.

After they put him in the sea they all went for dinner in the beach town and they had spaghetti and eggs.

When they were having dinner they saw a body wash up on the shore. They all screamed in horror and spilt their eggs and spaghetti. They were all very sad because it tasted so good and cost them 3 chickens and 5 wooden spoons.The 6 year old irish sailors ran away at 15 miles an hour!

Plot twist! Jimmy woke up, he hadn’t died but he was now riding on a tsunami and then he woke up! It was all a dream! Then he realised he was drowning he tried to swim to the surface but a tiger shark thought he was pretty hungry so he ate the boy. THEN HE WOKE UP AGAIN OMG. Then a pack of alpacas came and ate him. They tore his limbs off and ate them. He died; it turns out he wasn’t dreaming after all.